McAdam, Ian

​Articles:

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"Edward II and the Illusion of Integrity," Studies in Philology 92 (1995): 203-29.

"Carnal Identity in The Jew of Malta," English Literary Renaissance 26 (1996): 46-74.

"Renaissance Inwardness and Current Critical Practice" (review article). Dalhousie Review 76 (1996): 273-84.

"Masculinity and Magic in Friar Bacon and Friar Bungay," Research Opportunities in Renaissance Drama 37 (1998): 33-61.  Reprinted in Robert Greene: The University Wits, ed. Kirk Melnikoff (Ashgate, 2011).

"Masculine Disaffection and Misogynistic Displacement in Carew's Love Lyrics," The Image of Manhood in the Seventeenth Century: Viewing the Male, ed. Andrew Williams.  Westport, Connecticut: Greenwood Press, 1999.  1-15.

"The Spanish Tragedy and the Politico-Religious Unconscious," Texas Studies in Literature and Language, 42 (Spring 2000): 33-60.

"Fiction and Projection: The Construction of Early Modern Sexuality in Elizabeth and Shakespeare in Love," Pacific Coast Philology 35.1 (2000): 49-60.

"The Repudiation of the Marvelous: Jonson's The Alchemist and the Limits of Satire," Quidditas: Journal of the Rocky Mountain Medieval and Renaissance Association 21 (2000): 59-77.  [appearing 2002]

"Protestant Manliness in Arden of Faversham," Texas Studies in Literature and Language 45 (Spring 2003): 42-72.

"The Puritan Dialectic of Law and Grace in Bartholomew Fair," Studies in English Literature 46.2 (Spring 2006): 415-33.

"Masculine Agency and Moral Stance in Shakespeare's King John," Philological Quarterly 86.1 & 2 (2007): 67-95.  Reprinted in Shakespeare Criticism (SC-142) (Gale, 2011).

"Milton, Satan, Galileo, and Gunpowder," Notes and Queries 253.3 (2008): 289-91.

"Remembering Ibsen in Tennessee Williams," Notes on Contemporary Literature 42.4 (September 2012): 6-8.

"Magic and Gender in Late Shakespeare," in Late Shakespeare: Plays, Themes and Contexts 1608-1613, ed. Andrew Power and Rory Loughnane (Cambridge: Cambridge University Press, 2013).  243-61.

"The Jew of Malta and The Merchant of Venice: A Reconsideration of Influence," in The Jew of Malta: A Critical Reader, ed. Robert A. Logan (London: Bloomsbury, 2013).  107-27.

"Masculinity in Ben Jonson's The Alchemist," in The Alchemist: A Critical Reader, ed. Erin Julian and Helen Ostovich (London: Bloomsbury, 2013).  127-39.

"Eucharistic Love in The Merchant of Venice," Renaissance and Reformation 38.1 (2015): 83-116.

"Dido Queen of Carthage, Hamlet, and the Transformation of Narcissism," Marlowe Studies: An Annual 5 (2015): 99-129.

"Calvinism and the Problematic of Character in The Revenger's Tragedy," in the Arden State of Play collection, ed. Gretchen Minton (London: Bloomsbury, 2017), 85-109.

"Herbert's 'The Collar; and St. Paul's Laurels," co-authored with Jordan Born, Notes and Queries 64.3 (2017): 401-403.

"Individuation and Religious Mythology in the Novels of W.O. Mitchell," University of Toronto Quarterly 87.2 (Spring 2018): 16-38.

"Shakespeare's Inversion of 1 Corinthians 9 in 1 Henry IV," Notes and Queries 65.1 (2018): 69-70.

"Spectatorship and Repression in Shakespeare's Twelfth Night," in Early Modern Spectatorship, ed. Ronald Huebert and David McNeil (Montreal & Kingston: McGill-Queen's University Press, 2019), 77-103.

"Dickens, Longfellow, and the Mills of God," Notes and Queries 67.1 (March 2020): 108-109.

"Further Allusions to Marlowe in The Comedy of Errors," Notes and Queries 67.1 (September 2022): 211-14.

"Ruskin's Alpine Image in Rossetti's 'Goblin Market'," Notes and Queries 73.1 (March 2026): 143-45.

"The Devil's Charter as Masculinist Revision of Doctor Faustus," Renaissance Drama 54.1 (Spring 2026): 21-49.

"The Massacre at Paris and the Babington Execution," forthcoming in Notes and Queries.