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Free film screening of Spartan (David Mamet/USA/2004) hosted by Blake Evernden (MFA New Media candidate).
This event is from the archives of The Notice Board. The event has already taken place and the information contained in this post may no longer be relevant or accurate.
Free film screening of The Exterminating Angel (Luis Buñuel/Mexico/1962) hosted by Dr. Kiki Benzon (English).
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Anne-Laure Djaballah's (MFA Art Candidate) Thesis Exhibition opens with a reception Saturday, Oct. 25 at 7 pm. The exhibition, at the Penny Building, is open for viewing Oct. 25 - Nov. 8.
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A Lethbridge “Greeriad" - celebrating the vocal music of John Greer
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Programme to include a variety of music for percussion duos as well as improvisation by Maraca2 and University of Lethbridge percussionists.
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Award-winning playwright, actor, and visual artist Bruce Horak was on-campus for the last two weeks and closes his visit with a public talk and collaborative performance with University of Lethbridge students.
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Truly one of the most unique pianists in Lethbridge and Canada, Aaron Collier will be performing texturally rich improvisations on piano+computer.
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Andrew Hunter is an accomplished curator, artist, writer and educator. He is the Fredrik S. Eaton Curator, Canadian Art, at the Art Gallery of Ontario. Hunter has held curatorial positions at the Vancouver Art Gallery, the Art Gallery of Hamilton, the Kamloops Art Gallery, the University of Waterloo, the McMichael Canadian Art Collection and Charlottetown’s Confederation Centre Art Gallery. With Lisa Hirmer, he co-founded DodoLab, an international program of community collaboration and interdisciplinary creative research.
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Tanya Harnett is an artist, a member of the Carry The Kettle First Nations and a faculty member in both in the Department of Art and the Department of Native American Studies at the University of Lethbridge.
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“My work has often explored the field of architecture and social space. In 2000 I moved to Amsterdam and began a series of paintings that examined the consequences of modernity as it related both the the aesthetic field of painting but also to social design. My goal was to examine the disparity between the promises of modernity and the current difficulties facing large-scale housing projects .