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Cancelled due to unforseen circumstance.
This event is from the archives of The Notice Board. The event has already taken place and the information contained in this post may no longer be relevant or accurate.
It is fairly common for unidentifiable masses of decomposing sea-flesh, often measuring several metres in length and generally known as “globsters”, to wash ashore in many parts of the world. Due to their state of decomposition and the lack of any remaining external features, definite identification is not always possible until detailed cellular or DNA analysis is completed. Often thought to be cryptozoological in nature, these mysterious blobs, however, are more likely to be found the remains of partially decayed sperm whales or sharks.
This event is from the archives of The Notice Board. The event has already taken place and the information contained in this post may no longer be relevant or accurate.
Anthropology and Art – what can they learn from each other?
Based on collaborative work with his late wife, Gordana Zivkovic and the pedagogy he has developed for teaching ethnographic sensibility through exercises based on art training, dr. Zivkovic will explore some ways anthropology and art can learn from each other.
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The Edge of a Moment: Where do we go from here?
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Watchings, Tall Tales and Other Works for Now: A survey of recent work and thoughts about the current moment
This event is from the archives of The Notice Board. The event has already taken place and the information contained in this post may no longer be relevant or accurate.
Cultural Translation
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Jeneen Frei Njootli is a member of the self-governing Vuntut Gwitchin First Nation and is a co-creator of the ReMatriate Collective. She has been living as an uninvited guest in the unceded, ancestral lands and waters of the Musqueam, Squamish, Tsleil-Waututh and Stó:lō peoples for around a decade. Working collaboratively with artists, communities, youth, and the land, Frei Njootli’s practice takes the shape of sound, performance, fashion, workshops and barbecues.
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Tracey-Mae Chambers is a Métis artist living in Southern Ontario. Her practice mainly focusses on encaustic as a 3D medium as well as installation work. She tries to work exclusively with natural materials as she feels that respect for the Mother Earth is paramount. Her installation work speaks to our connection to and disconnect from the natural world.
In her talk, Chambers discusses her installation work and pushing the boundaries of a medium’s expected output.
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Liquid Being, Up in the Air and other recent projects
Ed Pien has a BFA from Western University and a MFA from York University.
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PERSEVERE, PREVAIL, ENDURE