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As a medium, film has often been likened to death – it is a moment frozen in time as the great French film theorist André Bazin put it – it is time mummified. Vulture Aesthetics, relates both to my own work as a filmmaker and teacher, but also the work developed through the Independent Imaging Retreat (aka Film Farm), a hand processing film workshop in Southern Ontario, nearly 25 years in the works.

Brent Coulton (BFA, Emily Carr University of Art + Design) is a multi-disciplinary artist with a wide variety of interests and experiences that influence his creative projects. Having spent time as a member of an illegal artist-run space, a touring punk and noise rock musician, graffiti artist, and craftsman building boats and cars, his artistic undertakings are varied and inconsistent.

Can Art and Design Make Sense of Data?

Ne:Kahwistará:ken Kanónhsa’kówa í:se Onkwehonwe  

This workshop is geared for all instrumentalists looking to improve the art of practicing for tomorrow rather than for today.

Works from the uLethbridge Art Collection curated by Museum Studies Intern Stephanie Wilson.

Come join us for a fun evening of socializing at the GSA's 3MT Wine and Cheese Reception on the 23rd of Mar (Fri) at 7 pm in Markin Hall.

An author talk with Gary Geddes who shares his long and difficult journey across Canada to interview Indigenous Elders