This event is from the archives of The Notice Board. The event has already taken place and the information contained in this post may no longer be relevant or accurate.
“Stress Survivor: art island” is an event geared towards students as a mindful activity or a chance to de-stress.
This event is from the archives of The Notice Board. The event has already taken place and the information contained in this post may no longer be relevant or accurate.
Pushing musical boundaries, the U of L’s newest ensemble, Integra Contemporary & Electroacoustics (ICE) takes music to another level. Come and explore the limits of electroacoustic sound, improvisation and performance art with ICE. Featuring new audio and video music by the members of the ensemble.
To learn more about the ICE and the work of Digital Audio Arts students, visit: ulethelectro.wordpress.com
This event is from the archives of The Notice Board. The event has already taken place and the information contained in this post may no longer be relevant or accurate.
Anton Ginzburg is a New York-based artist who uses an array of historical and cultural references as starting points for his investigations into art's capacity to penetrate layers of the past and reflect on the contemporary experience. Born in 1974 in Leningrad, USSR, Ginzburg received a classical arts education before immigrating to the United States in 1990. He earned a BFA from Parsons The New School for Design in 1997 and MFA degree from Bard College, Milton Avery Graduate School of Arts.
This event is from the archives of The Notice Board. The event has already taken place and the information contained in this post may no longer be relevant or accurate.
Special "off-site" Drawing Bar at the Penny Building. Admission is free. All are welcome.
This event is from the archives of The Notice Board. The event has already taken place and the information contained in this post may no longer be relevant or accurate.
Community artists engage with the Coutts Centre property. Co-sponsored by the U of L Art Gallery, the U of L Faculty of Fine Arts and the U of L Alumni Association.
This event is from the archives of The Notice Board. The event has already taken place and the information contained in this post may no longer be relevant or accurate.
Honduran teenager Sayra is reunited with her father, and with him sets out to escape to America. But their encounter with a young Mexican gang member on the run changes the course of events. (Mexico-U.S.A.. In Spanish with English subtitles)
This event is from the archives of The Notice Board. The event has already taken place and the information contained in this post may no longer be relevant or accurate.
December 7th is the 75th anniversary of the bombing of Pearl Harbor which further catalyzed racist actions against Japanese in Canada. This talk addresses some of those experiences.
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Please join us for cake and refreshments to celebrate the Grand Opening of the ITS Solution Centre in their new location in Turcotte Hall.
This event is from the archives of The Notice Board. The event has already taken place and the information contained in this post may no longer be relevant or accurate.
The Privatization of Neighbourhoods and Emerging Social Ecology of Cities.
Using Calgary as an example, this talk will present a conceptual overview of new forms of neighbourhood privatization and design since the 1970s, and ways in which these represent multiple levels of nesting of privatization schemes through Common Interest Developments (CIDs). A graphic model is developed to summarize the effects on the social ecology of the city and the potential for the partitioning of the city into new public and private urban realms.
This event is from the archives of The Notice Board. The event has already taken place and the information contained in this post may no longer be relevant or accurate.
How do we relate to things are unnamed or unnameable? What happens at the perceptual limits of human thought, consciousness, and comprehension? Throughout her practice, Miruna Dragan engages these questions, peeling back at the glimmering edges where language, object, and reason overlap with the unknown. With an ongoing interest in metaphysics, Dragan’s site-response work reflects themes of dispersion, immanence, and transcendence. Operating within and between various modes of studio research including drawing, lens-based media, site-specific intervention, and others, she interprets sur